Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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william r clark
adelaide
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ID: 59328

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william r clark adelaide


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william r clark

1829-1912  Related Paintings of william r clark :. | alexander uon humboldt anvande denna flotte pa guayaquilfloden i ecuador under sin sydaneri kanska expedition 1799-1804 | det var med en kamelkaravan som den ovan ur en medeltida persisk bok som anthony fenkinson 1558 forsokte att ta sig fram till det legendomspunna catha | eskimahuset,igloon ar giort av snoblock,som ar utskurna ur den harda snon och upplagda i halvklotform | den 24 dr gamle skotske lakaren mungo park ledde en av de forsta expditionerna till afrika 1795 | nansen och frederik fohansen lamnar fram for att forsoka ta sig till nordpolen |
Related Artists:
Pierre-Auguste Cot
French 1837-1883 Pierre-Auguste Cot Locations He was born in B??darieux, and initially studied at l Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. From the 1870s, his popularity grew quickly. In 1874 he was made Chevalier of the Legion of Honour. He created several works of lasting popularity, including Le Printemps, featuring two young lovers sitting upon a swing, and The Storm. Both these paintings were until recently on display at the Metropolitan Museum of Art in New York City; The Storm belongs to the museum while Le Printemps is owned privately. Cot also was renowned for his portraits, which made up the majority of his work. The more enduring figurative work, such as The Storm, is comparatively rare.
REformatorn Martin Luther
1483-1546 avbildad av lucas cranach d.a, tre ar fore sin dod
Konstantin Flavitsky
b Moscow, 25 Sept 1830; d St Petersburg, 15 Sept 1866,Russian painter. He completed his studies at the Academy of Arts in St Petersburg in 1855. The influence of Karl Bryullov was central to Flavitsky work. He combined the theatricality of academicism and the elegance of salon painting with a desire to observe a degree of realism in his subjects and to relate history to present events, thereby anticipating new developments in Russian history painting.






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